Showing posts with label Music. Show all posts
Showing posts with label Music. Show all posts

Saturday, 24 March 2018

Yegna – a cautionary tale in humanitarian aid


Yegna in concert in Bahir Dar/Courtesy of Girl Effect

 

Should humanitarian aid be about food parcels and vaccination campaigns? Or could it be something more intangible and holistic?

Yegna,  a project trying to reframe the place of girls in Ethiopian society - a country where discrimination and violence against girls and women are common - crystallized that debate in the UK.

Over the past few years, the right-wing media waged a campaign against Yegna - which was co-funded by the UK Department for International Development (DIFD) - calling it “the most wasteful, ludicrous and patronizing” aid project in Africa and “blood boiling waste of taxpayers' money.” 

The articles caused widespread outcry from MPs and taxpayers. In January 2017, DIFD, which had previously given the program high marks and had planned to give it £11.8m between 2015 and 2018, cut all funding. 

Although the right-wing media dubbed it “Ethiopia’s Spice Girls”, Yegna is not just a girl group, but a brand that addresses issues such as early forced marriage, violence and barriers to education through a very popular radio drama, music and talkshows – all critical channels in a developing country with a strong musical and storytelling tradition. 

The radio drama, also called Yegna, features the five band members representing characters with different backgrounds, facing and overcoming many of the challenges experienced by Ethiopian girls. 

Take Mimi, for example. In the drama, she is a street kid who ran away from early marriage when she was 13 and had to sacrifice her education. She lives on the street and sells chewing gum and trinkets to passers-by. 

“Mimi is my favorite character because she is most like me. She’s very strong and does not give up,” says Alemtsehay Berihun, a 17-year-old Yegna fan who lives with her aunt in Wonka, a village in the Amhara region.

In Amhara, where Berihun lives, and in Addis, the two regions where Yegna is distributed, one in every two people listen to Yegna, according to Girl Effect. 

 “In our school, I don’t think there’s anyone who doesn’t know Yegna. You would walk into a random house in our town and find a Yegna poster inside,” Berihun says. 

The decision to cut funding disappointed Girl Effect, the charity behind Yegna, as well as other aid organizations, which are developing less traditional and more creative approaches to impact long-term changes.  “We were surprised and disappointed,” says Gaya Butler, the Ethiopia country director for Girl Effect. “Girl Effect addresses the demand for aid rather than the supply of it. For example, many organizations are building schools, but they are not filled because lots of cultural norms are preventing girls from attending school. We tackle those social norms.”

And they were having an impact. For example, 84 per cent of girls listening to Yegna, report that it has helped them become more confident, while 76 per cent report it has inspired them to continue their education, according to a 2014 audience survey, conducted by an independent local research agency.

Boys have also been inspired: 95 percent of boys who regularly listen to Yegna agreed that they would speak to someone if they saw a young girl being forced to get married. 

And Yegna has helped change parents’ attitudes, says Asnakech Kebede, 48, a mother of four girls and a primary school teacher. “It used to be culturally unacceptable for girls to stand up straight and speak up, but now parents see their value.” 

For aid workers and activists, the fate of Yegna is a lesson not only in tactics, but also in the limitations of foreign funding — and how much anti-aid sentiment exists in many countries.

Here is the story I wrote for Broadly on Yegna, explaining what Yegna is trying to achieve and how, and why I think it's a project well worth supporting, in spite of the smear campaign by the right-wing media.  Let me know what you think. 





Friday, 3 April 2015

Survivors of war and torture united by music - Stone Flowers


Stone Flowers members/courtesy of Stone Flowers

 
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Stone Flowers – a musical group comprised of war and torture survivors – is releasing its new album Ngunda, proving that something beautiful can come out of unimaginable violence.

I liked working on this story because Stone Flowers is more than the sum of its parts: it is a music group, producing beautiful, uplifting music, but it is also a therapeutic and political project. Members have experienced torture and terrible losses - of home, family, culture and even of the person they were before. They write about these difficult topics, along with hope and resilience, in the languages and rhythms of their home countries, which include Iran, Kuwait, Sri Lanka, Sudan and DRC.  

Music helps reduce the trauma and gives survivors a way of speaking out against human rights abuses.  It also allows a connection with home and a more positive association with the loss of that home.


 As Stone Flowers members all bring their own musical heritages to the process, the result is rich and unusual - a cornucopia of styles and influences, where Arabic poetry mixed with West African rhythms and English folk segued into Caribbean and Tamil songs.

The name of the group, Stone Flowers, comes from a Persian folk song the group performed for their first album.  They liked the name because it evokes both strength and fragility, and also because it had Manchester overtones (i.e. Stone Roses), where the group is based. 


Created four years ago, Stone Flowers is supported by the charities Musicians without Borders UK and Freedom from Torture North West.  The group is performing life at many events and is now recording a new album, ‘Ngunda’, which will be launched at Amnesty International HQ in London on June 5.  The album takes its name from one of the ten tracks: Ngunda Azali Mutu, meaning 'A refugee is a human being' in the Bantu language Lingala.
 



Monday, 14 January 2013

Landfill Harmonic – Turning trash into music






My New Year resolution as a journalist is to try to focus more on solutions rather than on showing problems, and write stories that leave people with hope and the will to do something rather than feeling helpless.

Here is a perfect example: a beautiful story about people turning trash into music.  The people of Cateura, Paraguay, make their living scavenging through a huge landfill on top of which their slum was built. One day, one of them found a discarded violin shell. It gave them the idea of building recycled musical instruments out of rusting oil cans, pieces of wood and metal, old tools and other trash.  They soon managed to put together a whole orchestra made out of recycled instruments (it sounds amazingly good!) and it has transformed their lives.  

  “The world sends us garbage. We send back music,” says Favio Chavez, the orchestra’s director.

Beautiful, isn’t it?