Monday 25 August 2014

"Shout Art Loud" - Using art to fight sexual violence against women in Egypt

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The vast majority of women in Egypt have experienced some form of sexual harassment: it is a common occurrence on the streets, on public transport and in private homes. But groups are starting to fight back – and artistic expression is a driving force in the campaigns for change.


Documentary filmmaker and women’s rights activist, Melody Patry is part of that movement. She has just produced "Shout Art Loud", an innovative “living report” on art and sexual violence in Egypt. The interactive documentary explores how Egyptians are using theatre, dance, music and graffiti to tackle the “epidemic” of sexual harassment and violence against women in their country. 

Published by Index on Censorship, an international organisation that promotes and defends freedom of expression, "Shout Art Loud" features interviews with artists, original artwork, videos and performances.


When Patry moved to Cairo in 2012 to learn Arabic and join a small women’s rights group, she was shocked to find out how much sexual violence against women had risen since the revolution. During the period February 2011 to January 2014, Egyptian women’s rights groups documented thousands of cases of sexual harassment, as well as crimes of sexual violence against at least 500 women, including gang rapes and mob-sexual assaults with sharp objects and fingers, .


“As the number of sexual crimes increased, I watched the amount of graffiti promoting women’s rights and denouncing violence against women grow and blossom on Cairo’s walls," she she writes in an introduction to her documentary.  One of them was “the circle of hell”, a mural painted by two Egyptian artists – Mira Shihadeh and el Zeft – near Tahrir Square. The image denounced the disturbing trend of attacks against female protesters in which women are encircled in mobs of 200 to 300 men who fight, pull, shove, beat and strip them.  “This painting, a few meters away for Tahrir Square, was a statement for all to see. Egypt would not stay silent before such crimes. Other murals and pro-women graffiti regularly appear on – and sometimes disappear from – Cairo’s walls,”  Patry writes. 



“When I was given the chance to take part in a theatre workshop exploring issues of sexual violence in Egypt, I jumped at the chance. Seeing the graffiti, and then taking part in a play, showed me first hand how powerful a role art can play in tackling the problem.


“This is why I decided to make “Shout Art Loud”. In the documentary, I try to highlight artists and civil society’s new approaches to denounce sexual harassment, encourage women to speak out and challenge social taboos. These include art exhibitions, graffiti and murals, street performances, dance, theatre, rap, comic strips, and digital tools to report and map harassment."


 “This innovative documentary is a reminder of the vital role artistic expression plays in tackling taboo subjects like sexual violence — in Egypt and beyond,” says Index CEO Jodie Ginsberg. “We want to bring this issue to a wider audience to show just how important artists and writers can be in bringing about change.”

Friday 1 August 2014

Media Diversity Institute – towards a more inclusive, ethical media

One of the reports produced by MDI


Reading or watching news reports on conflicts, immigration, minorities and other controversial and sensitive issues, I often wonder whether journalists do more harm than good.

Journalism can be one of the best tools for change and can play an important role in the fight against ignorance, prejudice and bigotry. But it can also exacerbate divisions and tensions, and fuel fear and hostility. 

We have seen extreme examples on how the media can incite hatred and violence in Rwanda and the former Yugoslavia. But most of the time, the media’s unhelpful coverage of minorities and sensitive issues is unintentional. It stems from ignorance, sloppy journalism and lack of time. Many stories on immigration in the UK or about Roma in Europe, for example, don’t quote immigrants or Roma, but only experts and members of the public or groups objecting to them.  Not surprisingly, these stories lack important information and empathy.   Over-stretched journalists simply don’t have the time to search for the right people to interview - and the 24h news cycle and ever-faster pace of social media are exacerbating the problem.

I recently had an interesting conversation with someone who has worked on these issues over the past 15 years – and made a huge impact: the amazing Milica Pesic. She is the founder and Executive Director of the Media Diversity Institute, a charity which promotes responsible journalism as means to lessen inter-group conflict, increase tolerance, encourage dialogue among individuals and groups coming from different backgrounds and support a deeper public understanding of ethnic, religious, sexual and gender diversity. They do this through research and professional media training. 

“Responsible, ethical journalism is thinking journalism. It provides fair, accurate, informed and reflective coverage of events and issues that are important to people and society,"  said Pesic.

MDI was born out of the wars in the Balkans some 15 years ago. Pesic, worked as a journalist for TV Serbia during the 1980s and early 1990s. After refusing to participate in the propaganda machine created by the Serbian regime, she was sacked from her job. Horrified by the unprofessional and unethical way the media fuelled the conflict by increasing tensions between ethnic groups, she decided to setup MDI as a way to prevent the media being used in this way.

From initial work in South East Europe, MDI took its expertise to the volatile Caucasus region, and then to the Middle East and North Africa, and South East Asia. Over the last few years, MDI has brought its experience from more troubled regions to address tensions in increasingly diverse Western European societies. 

In our highly divided and divisive world and our rapidly-changing media landscape, organisations like MDI are more needed than ever. But I am wondering how to extend these ideas and training to the millions of people on Twitter, FB and other social media…