Wednesday, 28 February 2018

The kindness of strangers: exhibition celebrating solidarity towards refugees

Museum With A Home at the School Life and Education Museum in Athens

I’ve been working with Oxfam on a story celebrating the kindness and solidarity of ordinary people towards the men, women and children who are seeking peace and sanctuary in Europe.

It’s a story of the Museum Without A Home, a touring exhibition showcasing every-day objects that ordinary people have donated to refugees to make them feel more welcome. 

I loved this project: it’s such a creative and beautiful way to remind people that refugees are people like us, to celebrate those who are trying to make them feel a bit more at home in their host countries – and to encourage other people and governments to follow suit and support dignity and safety for all.

After touring in various cities across Europe, including Leicester and Cambridge, the exhibition was supposed to come to London and be displayed at City Hall and Parliament, then move on to Oxford and Cardiff. But because of the sex scandal which engulfed Oxfam, the plans had to be cancelled. Oxfam was hoping for lots of media coverage and support from MPs, NGOs and members of the public. It was not to be. But Positive News still agreed to run a short piece on it and I wanted to tell a bit about the Museum here too:

A cooking pot, a pair of running shoes, coloured crayons, a skipping rope. These are some of the everyday objects that have been ‘exhibited’ in the Museum Without A Home. The touring exhibition, which can be viewed online here, celebrates acts of kindness by ordinary people towards the men, women and children who are seeking peace and sanctuary in Europe. 

The museum was originally created by the Greek section of Amnesty International and Oxfam to acknowledge the solidarity of the Greek people towards refugees. Organisers also hope to call on people – including political leaders – worldwide to support dignity and safety for all.

In autumn of 2016, the entire city of Athens was transformed into a  “museum” showcasing real objects that residents donated to refugees to make them feel welcome. Each object was accompanied by personal testimonies of the people who donated the objects and the people who received them.

Next to the photo of a board game reads the caption: “Stelios lives in Piraeus. When his school teacher proposed to the class to collect toys for the kids in the port of Piraeus, Stelios offered one of his favourite board games. He then found out that the game had reached the hands of Ishmael, a boy his age.”

Accompanying an image of a kettle reads the caption: “Vasso lives and works in Konitsa. Mafida from Syria is being hosted in the same region. When the two women met, Vasso offered a water kettle to Mafida so that she can easily heat water to wash her baby.”

Since 2016, the exhibition has travelled to Belfast, New York, Belgrade and Canada, as well as Leicester and Cambridge. Since it came to the UK, organisers displayed alongside the Greek objects several items that have been donated by the British public. Among them were a cooking pot and a quilt sewn by people from Witney, Oxfordshire, who hope to sponsor a family from Syria.

“This is a celebration of small acts of welcome and generosity, that make all the difference to refugees as they rebuild their lives in the UK,” said Sally Copley, Oxfam’s head of policy, programmes and campaigns. “We are calling on the government to extend its own hand of welcome by allowing refugees to reunite with their families in the UK.”

Friday, 26 January 2018

Gina Lopez, maverick environment activist fights Philippines’ mining

Courtesy of Gina Lopez

I felt so energized and inspired after interviewing Gina Lopez, the Philippines’ former environment minister, for this issue of New Internationalist.

She is both a philanthropist and an environmentalist - a fiery, fearless, maverick activist who is not afraid of fighting the Philippines' powerful mining industry.  She believes that protecting the environment and promoting social justice go hand in hand.

She is irreverent, funny, full of energy and always in action – rolling her sleeves, campaigning, cleaning slums, jumping into a river to make a point, climbing a rock – and giving ministers and industrialists a piece of her mind.

"Yes, mining creates a few jobs and perhaps a few schools, and a few people enrich themselves, but thousands suffer and water sources are polluted for generations afterward.  Mining is just greed and selfishness."

As a minister, she banned open-pit mines and moved to shut down more than half of the operations of the country’s mining companies, after audits showed massive violations against the environment and the law. It cost her her job.

She is not your typical environmental activist. The daughter of one of the country’s wealthiest families, she fled the Philippines in 1972 to avoid political persecution during the Marcos regime, but returned in 1986 after being educated in the US, becoming a yoga master, and then working with disadvantaged communities in Africa. She still meditates every day.

She uses her connections as a shield in a country that is one of the world most dangerous places to be an environmental activist. “My family owns the biggest media company, I don’t think someone would want to harm me. I am not afraid of anything,” she told me matter-of-factly.

“What is needed is not a shift in economic priorities - but a greater realization and awareness of the damage some economic activities (mining, logging, rampant quarrying) inflict not only on our economic potential, but on our well being as a people. What is needed is a total economic valuation (monetizing the costs, the benefits) of these activities and then asking the very pertinent question - is it worth it?"

Last year, she received the Seacology Prize, awarded to those showing exceptional achievement in preserving island environments and culture.

You can read my story in New Internationalist here.    

Monday, 30 October 2017

Global study shows unease about immigration around the world – but Britain is more positive

From Argentina, Australia, Belgium and China to Britain, Hungary, India, South Korea and the United States, most people believe that immigration is increasing and has had a negative impact on their country.

New data from the Ipsos Global @dvisor survey shows very clearly that immigration remains a major global concern.   The survey, conducted among online adults aged under 65 in 25 countries across the world, reveals that people are twice as likely to think that immigration is bad for their country than think it is good, and twice as likely to agree than disagree that there are too many immigrants in their country and that this is changing their country in ways they don’t like. 

Most countries are also concerned about immigration placing pressure on public services.

And there is a sense that the issue is increasing: three-quarters think there are more immigrants than 5 years ago.

 But there are huge differences between individual countries, and significant change in views in some.  Surprisingly, Britain’s view on immigration has increased positively since 2011. We are now the third most likely country to say that immigration has a positive impact on us, behind only Saudi Arabia and India – with 40% saying immigration is positive, up from only 19% in 2011. 

On the other hand, Turkey, Italy, Hungary and Serbia are most negative with at least three in five (58%) saying it has had a negative impact.

The more positive attitude of Britain toward immigration surprised me as the media coverage around this issue has been rather relentlessly negative, especially in the context of Brexit.

But Bobby Duffy, Managing Director of Ipsos Social Research Institute, says: “This may be explained by both those who had positive views being encouraged to express them more following Brexit, but also those who supported leaving the EU being reassured that we’ll have more control in the future.

As the refugee crisis continues, the Ipsos research also shows that a narrow majority still believe they should keep their borders open to refugees, however many still have serious security concerns.

Wednesday, 11 October 2017

Refugee Exhibition: "Claiming a New Place on Earth"

If you are in London this week, please come and see our exhibition “Claiming a New Place on Earth” at Protein Studios in Shoreditch, London.  Through photographs and interviews, photographer Caroline Irby and I have recorded the journey of 10 refugees or asylum seekers aged 18-24, who arrived in the UK as minors and are now coming of age in this country. 

How is it to grow up in an Afghan village with no water and no electricity, then to find yourself alone in London at 18, not speaking a word of English?

How does it feel when life is passing you by, when you cannot get your driving license, go to university or get a job because you are waiting for your papers?

Thousands of teenagers arrive in the UK every year seeking asylum. Many have missed out on education and have been scarred by war and by having to leave their home countries.  In the UK, they have to navigate complex systems to get the support they need. Yet, they are also young people with talent, pride, aspirations and dreams.

The young refugees are from Syria, Ivory Coast, Iran, Afghanistan, Nigeria, Pakistan, Ukraine and Uganda. They talk about the life they have left behind and their new experiences in this country - the hurdles and challenges they are facing, especially around the asylum and education systems - as well as their dreams and aspirations for the future.  They were photographed in the context of their dream job. 

The portraits and interviews are part of the exhibition “Claiming a New Place on Earth” at Protein Studios in London, Oct. 10-15 (the title is from Lesbos 2015  by poet Ruth Padel). The exhibition was commissioned and curated by Breaking Barriers (BB), a wonderful charity helping refugees to find meaningful employment.

Caroline and I have worked together on a number of humanitarian stories overseas – particularly in Africa and Asia - and in the UK.   We have a keen interest in refugee issues because we have seen some of the causes that trigger people to flee their homes. We wanted to meet some of the young refugees who have settled here to learn what propelled them to move so far, and to hear about their experiences of trying to make a new life here.  And, at a time when Brexit negotiations are pressing on and immigration is such a loaded topic, we wanted to let some young refugees tell their own stories in their own words.

This is our second collaboration with Breaking Barriers. Last year, Breaking Barriers’ exhibition portrayed refugees at the place where they first felt free or safe in the UK.

You can see some of the portraits and interviews in this Guardian article

Friday, 22 September 2017

#LivingIsWinning – Olympics inspire refugee awareness campaign

No matter the distance, the height or the fight

For them, living is already winning


Athletes perform amazing physical feats to win; men, women and children fleeing war, poverty and violence also surpass themselves. But they do it simply to survive.

This parallel struck two young French creatives, who wanted to counter the negative portraits of refugees in the media. They took the opportunity of the official announcement of Paris 2024 Olympics to talk about the dangerous journey many refugees have to take – crossing lands, deserts and seas and facing countless obstacles - in order to win their right to live.

The result is  “Living is Winning”, a refugee awareness campaign launched on September 14, the day after Paris was officially set to host the 2024 Olympics.

The campaign, which features a series of posters, three films and a campaign website, was created and directed by Valentin Guiod (Josiane Paris) and Min-Hyung Choi (AdamandeveDDB London), with the support of Josiane and OTSO Paris, and led by La Cimade, an independent humanitarian organisation protecting refugees’ rights.

“In France, some people started to see migrants as hobos whereas they are just humans who are forced to leave everything, surpassing themselves to flee conflict and persecution,” explains Min-Hyung Choi. “This idea of surpassing yourself rang a bell.  They are doing it not to win golds, but just their right to live with dignity. Then there was this debate on Paris 2024 in the French media, which we saw as the perfect opportunity to bring back another debate on the table.”

Their initiative has received lots of support, including from the award-winning photographer Espen Rasmussen, who lent his images to the campaign - and was extensively covered in the French media and on social media with more than 140k views and 2900 shares on Facebook.  

Now, they want to spread their message to an international audience. So please, do share it.


Friday, 25 August 2017

Prafulla Samantara: indigenous land rights' champion

Samantara with the Dongria Kondh/ Credit: Goldman Environmental Prize  

Prafulla Samantara has been threatened, kidnapped and jailed trying to stop a huge mining project on sacred tribal land in Odisha, India.  But he is not afraid and, at 65, not ready to retire. ‘I will keep on fighting until my last breath. I cannot betray the people, the cause,’ he told me when I met him in London in late Spring.

The Indian social justice activist won the 2017 Goldman Environmental Prize  for Asia for his 12-year campaign to block the mine and for securing indigenous communities’ voting rights on such projects.

From a young age, he witnessed the impact of mining and industrial development on small farming communities and the growing inequalities between rich and poor. ‘I’ve seen working people and those at the bottom of society being exploited and suffering. Equality and justice became my guiding principles.’

Yet he recognizes that development is necessary, but not at all costs. ‘In India, 60 million people have been displaced over the last 60 years because of big projects such as mining and dams. Indigenous people are not consulted. They are marginalized, even though they are the owners and guardians of natural resources.’

Odisha, the eastern Indian state on the Bay of Bengal where he grew up, is known for its pristine forests, high mountain peaks and numerous rivers; but also for its vast reserve of minerals – almost a third of the state is under mining concessions.

The Odisha Mining Company had agreed a deal with London-based Vedanta Resources to gouge a $2 billion open-pit bauxite mine on the Dongria Kondh’s land without consulting them. 

‘The Dongria Kondh don’t believe in religion, but in nature. The Niyamgiri Hills are their gods. They get everything from them: their entire livelihood and their social and cultural identity. They believe it’s their duty to protect them at all cost.’ The mine would not only have destroyed their homeland, but also polluted water for millions downstream as far as the Bay of Bengal, and destroyed large areas of protected forests which are home to rare wildlife including elephants and the Bengal tiger. In anticipation of receiving the mining licences, Vedanta illegally annexed 148 acres of forest and bulldozed 12 villages.

You can read my article on Samantara for New Internationalist here.

Saturday, 17 June 2017

How to tell the refugee story?

Khalid's story/PositiveNegatives

Migration and the refugee story are one of the most important issues of our age and will be there for a long time. Migration, the movement of people, has always existed. “The current crisis isn’t about people being refugees and migrants, the crisis is that we think of such movement of people as a crisis,” said Mohsin Hamid, author of The Reluctant Fundamentalist in this issue (June 2017) of New Internationalist. He is right.
The way the media reports on migration and the refugee story has a huge impact on how people react to them and on public policies. So, as a journalist, I keep asking myself how to best report migration. How to produce fair and balanced pieces that counter the stereotypes and misinformation, but also how to keep telling these stories in ways that are engaging and innovative.

These are so many stories about refugees and migrants out there that people become numb and turn away from them.  Yet, it is our job as journalists to keep telling those stories again and again, and to keep telling them in ways that cut through the compassion fatigue and reach our readers.

Over the past months, I’ve been looking at examples of various creative ways  to do that - some are journalism, others not.

Here are just a few, illustrating or responding to three different issues in reporting migration:

• Most refugee stories have been told in Europe in two ways: one that instills fear with unfactual or biased reporting; the other that shakes the public awake through sorrow and shock. But there is a middle ground: stories that put a face on the numbers, that humanize the immigration statistics, that show that refugees are just people like us, thrown into exceptional circumstances. And the best stories are those told by refugees themselves.
- My favourite is “A Perilous Journey: Stories of Migration” an exhibition of literary comics based on testimonies from refugees. They were created by PositiveNegatives, a wonderful non-profit, which produces literary comics, animations and podcasts about contemporary social and human rights issues, including conflict, racism, migration, trafficking and asylum.  Concentrating on contemporary real-life stories from Syria and Iraq, we follow two men and two women on their long difficult journeys fleeing conflict and persecution.  Nadia’s Story, for example, tells of a pregnant Yazidi mother, fleeing ISIS controlled Iraq with her two young children. The last panel of each story is a real photograph of the refugee, reminding us that these are real people and real stories. It is very effective and moving.  The exhibition is at SOAS’ Brunei Gallery Room: 1st Floor Gallery until June 24. Really worth a visit!


- Then there is the series of short radio episodes produced by BBC Radio 4’s The World at One, following a Syrian family from the Jordan refugee camp where they had lived for two years to Greece, then across Europe to Germany. Reporter Manveen Rana documented the twists and turns of their journey in a series of short reports – showing the good and the bad, the hopes and the challenges.  Her reports are honest, fascinating, moving, though provoking and surprising.
- Last summer, short hand-written messages were left in public places - inside coffee shops, in between the pages of books in libraries, on benches in parks and tied to lampposts and railings - or written on white boards in tube stations. They were messages of hope for a better life, written by refugees from Nigeria, South Sudan, Syria, Afghanistan, Iraq and other countries - part of a campaign by humanitarian aid agency Mercy Corps, aimed at changing the attitudes and perspectives of people around Syrian refugees and the migrant crisis in general. The campaign was particularly effective with young people, who shared the messages on Instagram and Twitter. 
“Sometimes it is really hard to put yourselves in the shoes of these people because it seems so distant but when I read the note it really made it sink in that this girl was not any different from me,” said Rebecca Alexander, a 21-year-old student, who saw the note of a 15-year-old Syrian refugee, hanging from a tree in London's Regent’s Park.

• People are tired of refugee stories because stories of suffering are exhausting. Stories of empathy are empowering. As are those who show refugees not just as “victims”.

- For example, millions of people shared the image of Syrian refugee Alex Assali feeding homeless people on the streets of Berlin, but very few might have read his story in a newspaper.  

When Assali, 38, woke up in his small Berlin flat one autumn morning two years ago, and checked his email, 1,000 messages waiting for him. The day before, a friend had uploaded a photograph to Facebook of Assali feeding homeless people on the streets of Berlin. The caption below read: “Acts of kindness: A Syrian refugee mans a food stand for the homeless, to ‘give something back to the German people’.”   The image went viral - it was shared more than 3,000 times on Facebook and nearly three million times on Imgur. Al Jazeera produced this interactive story, giving Assali’s backstory, and that story got no trolls, according to Yasir Khan, senior editor of digital video at Al Jazeera English.

- Then there was the “Iam a refugee" campaign, launched last summer to celebrate the contribution refugees have made, and continue to make, to life in the UK. Plaques, inspired by the English Heritage blue plaques, were placed on buildings across the UK, where selected refugees have worked or studied. The idea was to show the diversity of the refugee population and the experiences they have had, as well as the creativity, skills and knowledge that they bring to the UK.
• Stories on refugees should try to portray a range of backgrounds and experiences, even contradictory, to help the audience get a fuller picture. And it's a good idea to let refugees tell their own stories.

For this year’s Refugee Week 2017, the Higgins Bedford Art Gallery and Museum is launching ‘Voices - Different Pasts, Shared Future’, an exhibition featuring oral histories from refugees, asylum seekers and other migrants from Syria, Iraq, Rwanda and Palestine. Some of the stories are from women who are detained at Yarl’s Wood Immigration Removal Centre. The exhibition also includes a wonderful tapestry of objects which people have brought from their countries of origin. The objects are printed, then partly stitched by volunteers from the community and women from Yarl’s Wood. “These Voices transform personal memories into collective memories impossible to ignore,” says Josepa Munoz, the artist behind the project. 

There are too many interesting and innovative projects and ways to report on the refugee story to feature here, but feel free to add those you like…