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| Khalid's story/PositiveNegatives |
Migration and the refugee
story are one of the most important issues of our age and will be there for a
long time. Migration, the movement of people, has always existed. “The current
crisis isn’t about people being refugees and migrants, the crisis is that we
think of such movement of people as a crisis,” said Mohsin Hamid, author of The Reluctant Fundamentalist in this issue (June 2017) of New Internationalist. He is right.
The way the media reports
on migration and the refugee story has a huge impact on how people react to
them and on public policies.
So, as a journalist, I
keep asking myself how to best report migration. How to produce fair and
balanced pieces that counter the stereotypes and misinformation, but also how
to keep telling these stories in ways that are engaging and
innovative.
These are so many stories about refugees and
migrants out there that people become numb and turn away from them. Yet, it is our job as journalists to keep
telling those stories again and again, and to keep telling them in ways that cut through the
compassion fatigue and reach our readers.
Over
the past months, I’ve been looking at examples of various creative ways
to do that - some are journalism, others not.
Here
are just a few, illustrating or responding to three different issues in
reporting migration:
• Most refugee stories have
been told in Europe in two ways: one that instills fear with unfactual or
biased reporting; the other that shakes the public awake through sorrow and
shock. But there is a middle ground: stories that put a face on the numbers,
that humanize the immigration statistics, that show that refugees are just
people like us, thrown into exceptional circumstances. And the best stories are
those told by refugees themselves.
-
My favourite is “A Perilous Journey: Stories of Migration” an exhibition of literary comics based on testimonies
from refugees. They were created by PositiveNegatives, a wonderful non-profit, which
produces literary comics, animations and podcasts about contemporary social and
human rights issues, including conflict, racism, migration, trafficking and
asylum. Concentrating on contemporary
real-life stories from Syria and Iraq, we follow two men and two women on their
long difficult journeys fleeing conflict and persecution. Nadia’s Story,
for example, tells of a pregnant Yazidi mother, fleeing ISIS controlled Iraq
with her two young children. The last panel of each story is a real photograph
of the refugee, reminding us that these are real people and real stories. It is
very effective and moving. The
exhibition is at SOAS’ Brunei Gallery Room:
1st Floor Gallery until June 24. Really worth a visit!
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| Hasko'story/PositiveNegatives |
- Then there is the series of short radio episodes produced by BBC Radio 4’s The World at One, following a Syrian family from the Jordan refugee camp where they had
lived for two years to Greece, then across Europe to Germany. Reporter Manveen
Rana documented the twists and turns of their journey in a series of short reports
– showing the good and the bad, the hopes and the challenges. Her reports are honest, fascinating, moving, though
provoking and surprising.
- Last summer, short hand-written
messages were left in public places - inside coffee shops, in between the pages
of books in libraries, on benches in parks and tied to lampposts and railings -
or written on white boards in tube stations. They were messages of hope for a better life, written by refugees from
Nigeria, South Sudan, Syria, Afghanistan, Iraq and other countries - part of a
campaign by humanitarian aid agency Mercy Corps, aimed
at changing the attitudes and perspectives of people around Syrian refugees and
the migrant crisis in general. The campaign was particularly effective with
young people, who shared the messages on Instagram and Twitter.
“Sometimes it is really hard to put yourselves in the shoes
of these people because it seems so distant but when I read the note it really
made it sink in that this girl was not any different from me,” said Rebecca
Alexander, a 21-year-old student, who saw the note of a 15-year-old
Syrian refugee, hanging from a tree in London's Regent’s Park.
• People are tired of refugee stories because stories of suffering are
exhausting. Stories of empathy are empowering. As are those who show refugees not
just as “victims”.
- For example,
millions of people shared the image of Syrian refugee Alex Assali feeding
homeless people on the streets of Berlin, but very few might have read his
story in a newspaper.
When Assali, 38,
woke up in his small Berlin flat one
autumn morning two years ago, and checked his email, 1,000 messages waiting for
him. The day before, a friend had uploaded a photograph
to Facebook of Assali feeding homeless people on the streets of Berlin. The
caption below read: “Acts of kindness: A Syrian refugee mans a food stand for
the homeless, to ‘give something back to the German people’.” The
image went viral - it was shared more than 3,000 times on Facebook and nearly
three million times on Imgur. Al Jazeera produced this interactive story, giving Assali’s backstory, and that story got no trolls, according to Yasir
Khan, senior editor of digital video at Al Jazeera English.
- Then there was the “Iam a refugee" campaign, launched last summer to celebrate the contribution
refugees have made, and continue to make, to life in the UK. Plaques, inspired
by the English Heritage blue plaques, were placed on buildings across the UK,
where selected refugees have worked or studied. The idea was to show the diversity
of the refugee population and the experiences they have had, as well as the
creativity, skills and knowledge that they bring to the UK.
• Stories on refugees
should try to portray a range of backgrounds and experiences, even contradictory,
to help the audience get a fuller picture. And it's a good idea to let refugees tell their own stories.
For this year’s Refugee Week 2017, the Higgins Bedford Art Gallery and Museum is
launching ‘Voices - Different Pasts, Shared Future’, an exhibition featuring oral
histories from refugees, asylum seekers and other migrants from Syria, Iraq,
Rwanda and Palestine. Some of the stories are from women who are detained at
Yarl’s Wood Immigration Removal Centre. The exhibition also includes a wonderful
tapestry of objects which people have brought from their countries of origin.
The objects are printed, then partly stitched by volunteers from the community and women from Yarl’s Wood. “These
Voices transform personal memories into collective memories impossible to
ignore,” says Josepa Munoz, the artist behind the project.
There are too many
interesting and innovative projects and ways to report on the refugee story to feature
here, but feel free to add those you like…
