Media censorship a ‘global phenomenon’ obstructing efforts to tackle pandemic

On Sunday, we celebrated World Press Freedom Day, yet when it comes to reporting Covid-19, journalists across the world are far from free.  

They have been risking their lives to provide reliable and trustworthy information during the pandemic, but all over the world, governments’ crackdown and media censorship are hampering efforts to tackle the virus. Censorship of vital information related to the pandemic has become a ‘global phenomenon’, according to Amnesty International.

“There is no hope of containing this virus if people can’t access accurate information. It is truly alarming to see how many governments are more interested in protecting their own reputations than in saving lives,” says Amnesty International’s Director of Law and Policy, Ashfaq Khalfan.

A core feature of the right to health is the right to access timely and accurate information. In the case of COVID-19, this means everybody has a right to access all available information about the nature and spread of the virus, as well as the measures they can take to protect themselves. But governments around the world have arrested and detained journalists and other media workers for sharing exactly this kind of essential information.

Here are just a few examples of dangerous censorship and serious attacks on free speech across the globe collected by Amnesty International:

• Russia: On 12 April, the Russian newspaper Novaya Gazeta published an article by journalist Elena Milashina, in which she criticised the Chechen authorities' response to the pandemic. Chechen leader Ramzan Kadyrov posted and Instagram video in which he threatened Milashina, appealing to the Russian government and Federal Security Service (FSB) to "stop those non-humans who are writing and provoking our people."

Urge the Russian authorities to ensure her safety. 

• Niger: Journalist Mamane Kaka Touda was arrested on 5 March after posting on social media about a suspected case of COVID-19 infection in Niamey Reference Hospital. He was charged with "disseminating data tending to disturb public order". 

• Egypt: Editor-in-chief of AlkararPress newspaper, Atef Hasballah, was arrested by security forces on 18 March, and forcibly disappeared for nearly a month, following a post on his Facebook page in which he challenged the official statistics on COVID-19 cases. 

• India: Journalists reporting on the COVID-19 situation have been summoned to police stations and forced to explain their stories, including Peerzada Ashiq, a senior journalist with The Hindu in Kashmir, and Siddharth Varadarajan, editor of The Wire in Uttar Pradesh. Many others have been arrested. Internet restrictions in the Jammu & Kashmir region continue despite the rising number of COVID-19 cases. 

Journalists have been prosecuted for reporting on COVID-19 in many other countries including Azerbaijan, Kazakhstan, Serbia, Bangladesh, Cambodia, Uganda, Rwanda, Somalia, Venezuela, Tunisia and Palestine.

Meanwhile journalists who report on human rights abuses related to the pandemic, such as police abuses or poor prison conditions, have also been harassed, intimidated, attacked and prosecuted.

Many countries, including Azerbaijan, Hungary, Russia, Uzbekistan, Cambodia, Sri Lanka, Thailand, Tanzania and several Gulf states, have used the COVID-19 pandemic as a pretext to introduce new laws against disseminating “fake news”. In most cases, it is at the authorities’ discretion to define what constitutes false news or misinformation, and these laws act as a stark warning against free discussion of the situation. For example: 

• Hungary: Viktor Orban’s government has amended the country’s Criminal Code, introducing new provisions that threaten journalists with prison sentences for “spreading false information” or communicating facts in a way that impede ‘successful protection’ against the virus. Journalists have reported being harassed, threatened and smeared for scrutinising the government’s response to the outbreak. 

• Myanmar: Authorities have warned that anyone who spreads “fake news” about COVID-19 could be prosecuted, while a Ministry of Health official said they would file criminal charges against anyone who speaks out about the lack of Personal Protective Equipment at hospitals.

• Tanzania: On 20 April, Tanzanian authorities suspended the licence of the Mwananchi online newspaper after it posted a photo of President John Pombe Magufuli out shopping surrounded by a crowd of people, eliciting debate about the need for implementing physical distancing.

 

"It's Just Good Journalism" - Constructive Journalism at Thessaloniki International Summer Media Academy

Students at Thessaloniki International Summer Media Academy looking for constructive angles/credit: Veronique Mistiaen

“Do we need to call this ‘Constructive Journalism’?  It’s just good journalism,” one student at the back said.  All over the room, heads nodded in approval.

Most of the 46 students at the International Journalism Media Summer Academy in Thessaloniki had never heard of the term “Constructive Journalism” before, yet it just made sense to them that when journalists expose a problem, they should try to explore solutions as well. And that reporting on progress and possibility has its place, alongside covering crisis, crimes and tragedy.

I had been invited to the beautiful city of Thessaloniki this summer, along with colleagues from Croatia, Germany, Russia and Ireland, to present lectures and workshops on ‘New Trends in Media and Journalism: Disinformation, Verification of News and Constructive Journalism in a Changing World’.

It was wonderful to see students from Greece, Russia, Croatia Ukraine, Germany, Brazil, Bosnia, The Netherlands, Slovenia, the US, China and other countries, debate and build connections - and listen to their various perspectives.

When we discussed the coverage of the refugee crisis in their respective countries, most students said that the media mostly stressed the problems posed by migration and the burden it imposes on social services, but others had another take.  Greek students, for example, said that while the coverage was alarmist and negative at first, over the years, there were also stories of solidarity and on the contribution made by migrants. This was unexpected as Greece is one of the countries most affected by the influx of migrants and in the midst of a serious economic crisis.

We found examples of constructive stories from a rapidly growing media pool - from the New York Times and the Guardian Upside to the BBC World Hacks, Positive News and De Correspondent.

We explored how to interview the so-called “victims” in a way that doesn’t reduce them to their situation, but shows their resilience and preserves their dignity.  And we looked at how we can ask different questions to those in power, the experts and those who hold different views.

The idea that journalists can facilitate engagement between people from different religious and ethnic groups, political views or age, rather than fuelling polarisation and conflict, led to heated discussions.   We concluded that it’s not the journalists’ role to advocate a solution or campaign for integration, but to show how communities can come together across these lines to engage with one another, and how problems that they are facing are being tackled elsewhere.

At the end of the day, the students decided to call this type of journalism “Responsible Journalism.” I kind of like that!

 

RIP Kevin Headley, who died too young - like too many homeless people

Kevin Headley graduating from the FDGU journalism training programme at Groundswell/photo: Veronique Mistiaen

This is what I find most poignant:  Kevin, wearing his ubiquitous black hat,

looks straight at the camera. In his deep, quiet voice, he says: “Life expectancy for rough sleepers is probably between 42 and 47.”

Kevin was interviewed for a video during an awareness day at the homeless charity Groundswell.  People who have experienced homelessness, NGOs and members of the public had been invited to discuss how to improve public perception of homelessness and create engagement. As always, Kevin came armed with lots of statistics and strong arguments.

A few weeks later, he was dead. 

Kevin Headley, who sold the Big Issue outside Hackney Wick station in London for many years, died in hospital on May 5 after suffering a suspected heart attack. He was only 52. 

Homeless people die on average 30 years younger than the national average, according to a study by the homeless charity Crisis. These statistics are a terrible indictment of the way our society treats homeless people - and something that Kevin campaigned and worked hard to change.

I’ve met Kevin at Groundswell in September when I began training a dozen of people who were homeless or had experienced homelessness on how to be journalists.  The six-month project, called From The Ground Up (FDGU), is a collaboration between Groundswell and the Pavement, a pocket size magazine (and website) full of useful articles and resources for homeless people. The FDGU project is funded by Comic Relief.

FDGU’s aim is to equip “peer journalists” as Groundswell calls them with the tools they need to identify and report on issues important to them – issues often overlooked by the mainstream media.

The peer journalists had decided to report on shame experienced by homeless people and the impact it has on their health, well-being and ability to improve their situation. Kevin didn’t like that theme because he strongly felt that homeless people have nothing to be ashamed of and that it is society, which should be ashamed. And of course, he was right. The peer journalists also  wanted to talk about suicide, which is much higher among homeless people than among the general population. They’ve produced amazing work, which has been published in the Pavement in Jan/Feb 2018 and Marc/April 2018 and they keep contributing to the magazine.

During our workshops, Kevin would often sit on the side, hiding behind dark glasses. At first, I thought he might be dozing off, something not unusual as some peer journalists spend their nights on the streets or in noisy hostels and night shetlers. But there was always a mischievous smile on his lips and then, when feeling inspired, he would make a contribution – not always on topic, but always full of facts and interesting ideas. He had just been given his own page in the Pavement – the problem page, “done with a light and practical touch”, as Nicola Baird, the Pavement's editor described it.

He drew beautifully and loved working with artists and curating local art events and festivals.  He also worked as “health peer advocate" with Groundswell, helping people who are homeless access appropriate healthcare.

Kevin had so much to live for. He was dearly loved by so many and was full of projects and ideas. Let’s never think of Kevin as just another dreadful statistic. Homeless people shouldn’t have to die young. Homelessness is not inevitable.

Refugee Exhibition: "Claiming a New Place on Earth"

If you are in London this week, please come and see our exhibition “Claiming a New Place on Earth” at Protein Studios in Shoreditch, London.  Through photographs and interviews, photographer Caroline Irby and I have recorded the journey of 10 refugees or asylum seekers aged 18-24, who arrived in the UK as minors and are now coming of age in this country. 

How is it to grow up in an Afghan village with no water and no electricity, then to find yourself alone in London at 18, not speaking a word of English?

How does it feel when life is passing you by, when you cannot get your driving license, go to university or get a job because you are waiting for your papers?

Thousands of teenagers arrive in the UK every year seeking asylum. Many have missed out on education and have been scarred by war and by having to leave their home countries.  In the UK, they have to navigate complex systems to get the support they need. Yet, they are also young people with talent, pride, aspirations and dreams.

The young refugees are from Syria, Ivory Coast, Iran, Afghanistan, Nigeria, Pakistan, Ukraine and Uganda. They talk about the life they have left behind and their new experiences in this country - the hurdles and challenges they are facing, especially around the asylum and education systems - as well as their dreams and aspirations for the future.  They were photographed in the context of their dream job. 

The portraits and interviews are part of the exhibition “Claiming a New Place on Earth” at Protein Studios in London, Oct. 10-15 (the title is from Lesbos 2015  by poet Ruth Padel). The exhibition was commissioned and curated by Breaking Barriers (BB), a wonderful charity helping refugees to find meaningful employment.

Caroline and I have worked together on a number of humanitarian stories overseas – particularly in Africa and Asia - and in the UK.   We have a keen interest in refugee issues because we have seen some of the causes that trigger people to flee their homes. We wanted to meet some of the young refugees who have settled here to learn what propelled them to move so far, and to hear about their experiences of trying to make a new life here.  And, at a time when Brexit negotiations are pressing on and immigration is such a loaded topic, we wanted to let some young refugees tell their own stories in their own words.

This is our second collaboration with Breaking Barriers. Last year, Breaking Barriers’ exhibition portrayed refugees at the place where they first felt free or safe in the UK.

You can see some of the portraits and interviews in this Guardian article. 

How to tell the refugee story?

Khalid's story/PositiveNegatives

Migration and the refugee story are one of the most important issues of our age and will be there for a long time. Migration, the movement of people, has always existed. “The current crisis isn’t about people being refugees and migrants, the crisis is that we think of such movement of people as a crisis,” said Mohsin Hamid, author of The Reluctant Fundamentalist in this issue (June 2017) of New Internationalist. He is right.

  

The way the media reports on migration and the refugee story has a huge impact on how people react to them and on public policies. So, as a journalist, I keep asking myself how to best report migration. How to produce fair and balanced pieces that counter the stereotypes and misinformation, but also how to keep telling these stories in ways that are engaging and innovative.

These are so many stories about refugees and migrants out there that people become numb and turn away from them.  Yet, it is our job as journalists to keep telling those stories again and again, and to keep telling them in ways that cut through the compassion fatigue and reach our readers.

Over the past months, I’ve been looking at examples of various creative ways  to do that - some are journalism, others not.

Here are just a few, illustrating or responding to three different issues in reporting migration:

• Most refugee stories have been told in Europe in two ways: one that instills fear with unfactual or biased reporting; the other that shakes the public awake through sorrow and shock. But there is a middle ground: stories that put a face on the numbers, that humanize the immigration statistics, that show that refugees are just people like us, thrown into exceptional circumstances. And the best stories are those told by refugees themselves.

- My favourite is “A Perilous Journey: Stories of Migration” an exhibition of literary comics based on testimonies from refugees. They were created by PositiveNegatives, a wonderful non-profit, which produces literary comics, animations and podcasts about contemporary social and human rights issues, including conflict, racism, migration, trafficking and asylum.  Concentrating on contemporary real-life stories from Syria and Iraq, we follow two men and two women on their long difficult journeys fleeing conflict and persecution.  Nadia’s Story, for example, tells of a pregnant Yazidi mother, fleeing ISIS controlled Iraq with her two young children. The last panel of each story is a real photograph of the refugee, reminding us that these are real people and real stories. It is very effective and moving.  The exhibition is at SOAS’ Brunei Gallery Room: 1st Floor Gallery until June 24. Really worth a visit!

Hasko'story/PositiveNegatives

- Then there is the series of short radio episodes produced by BBC Radio 4’s The World at One, following a Syrian family from the Jordan refugee camp where they had lived for two years to Greece, then across Europe to Germany. Reporter Manveen Rana documented the twists and turns of their journey in a series of short reports – showing the good and the bad, the hopes and the challenges.  Her reports are honest, fascinating, moving, though provoking and surprising.

- Last summer, short hand-written messages were left in public places - inside coffee shops, in between the pages of books in libraries, on benches in parks and tied to lampposts and railings - or written on white boards in tube stations. They were messages of hope for a better life, written by refugees from Nigeria, South Sudan, Syria, Afghanistan, Iraq and other countries - part of a campaign by humanitarian aid agency Mercy Corps, aimed at changing the attitudes and perspectives of people around Syrian refugees and the migrant crisis in general. The campaign was particularly effective with young people, who shared the messages on Instagram and Twitter. 

 

“Sometimes it is really hard to put yourselves in the shoes of these people because it seems so distant but when I read the note it really made it sink in that this girl was not any different from me,” said Rebecca Alexander, a 21-year-old student, who saw the note of a 15-year-old Syrian refugee, hanging from a tree in London's Regent’s Park.

• People are tired of refugee stories because stories of suffering are exhausting. Stories of empathy are empowering. As are those who show refugees not just as “victims”.

- For example, millions of people shared the image of Syrian refugee Alex Assali feeding homeless people on the streets of Berlin, but very few might have read his story in a newspaper.  

When Assali, 38, woke up in his small Berlin flat one autumn morning two years ago, and checked his email, 1,000 messages waiting for him. The day before, a friend had uploaded a photograph to Facebook of Assali feeding homeless people on the streets of Berlin. The caption below read: “Acts of kindness: A Syrian refugee mans a food stand for the homeless, to ‘give something back to the German people’.”   The image went viral - it was shared more than 3,000 times on Facebook and nearly three million times on Imgur. Al Jazeera produced this interactive story, giving Assali’s backstory, and that story got no trolls, according to Yasir Khan, senior editor of digital video at Al Jazeera English.

- Then there was the “Iam a refugee" campaign, launched last summer to celebrate the contribution refugees have made, and continue to make, to life in the UK. Plaques, inspired by the English Heritage blue plaques, were placed on buildings across the UK, where selected refugees have worked or studied. The idea was to show the diversity of the refugee population and the experiences they have had, as well as the creativity, skills and knowledge that they bring to the UK.

• Stories on refugees should try to portray a range of backgrounds and experiences, even contradictory, to help the audience get a fuller picture. And it's a good idea to let refugees tell their own stories.

For this year’s Refugee Week 2017, the Higgins Bedford Art Gallery and Museum is launching ‘Voices - Different Pasts, Shared Future’, an exhibition featuring oral histories from refugees, asylum seekers and other migrants from Syria, Iraq, Rwanda and Palestine. Some of the stories are from women who are detained at Yarl’s Wood Immigration Removal Centre. The exhibition also includes a wonderful tapestry of objects which people have brought from their countries of origin. The objects are printed, then partly stitched by volunteers from the community and women from Yarl’s Wood. “These Voices transform personal memories into collective memories impossible to ignore,” says Josepa Munoz, the artist behind the project. 

There are too many interesting and innovative projects and ways to report on the refugee story to feature here, but feel free to add those you like…

Constructive Journalism Comes to North Africa

Journalists from Libya, Tunisia and Egypt analyzing the balance of news in their respective media at the MiCT Tunis Constructive Journalism Workshop/credit:Veronique Mistiaen

“Wouldn’t constructive stories belittle the problems we are facing?” asked the tall Libyan journalist.   “If we write stories with a constructive angle, how can we make sure that they won’t be used as propaganda by the regime?” the thoughtful Egyptian journalist wanted to know.

These were some of the stimulating questions journalists from Libya, Egypt and Tunisia asked during the very first Constructive Journalism Project’s workshop in the region.

The political and media landscapes in post-revolutionary North Africa are not only very different from those in the UK and EU, where we have been running most of our workshops – but they are also different in each of these three countries.   This led to very interesting, challenging and passionate discussions.

Nineteen journalists participated in a three-day Constructive Journalism workshop in Tunis on November 25-28 arranged by Media in Cooperation in Transition, MICT, a German non-profit organization that runs media development projects in crisis regions. In addition to working for various  media outlets, many participant journalists also contribute  to Correspondents.org, a bilingual digital magazine (Arabic/English) designed by MiCT to cover three countries.

We began the workshop by analyzing the various newspapers/media they work for, discussing the balance or imbalance in the news and its impact on the readers/audiences, on major issues such as migration and climate change and on democracy.

Constructive Journalism was a new and rather unfamiliar concept to all participants, but they could see the need for a journalism that moves from the crisis rhetoric, trying instead to capture the complexity of social and political life, reconnecting with communities and reinvigorating our profession.

We then explored practical tools journalists could use in their own reporting in order to produce stories that are more balanced, explore new angles and possibilities and ask different questions to those in power, the experts and the so-called victims.

During our last session, the journalists pitched constructive-angled story ideas for Correpsondents.com. These included stories on a Libyan port city, where the community and police worked together to drive traffickers out; transitional justice in Tunisia; projects to get young people off drugs in deprived areas in Libya and a profile of a young female hero from Cairo’s Tahrir Square.  

“In our country, more than 90% of the news is on war and conflicts – who wins and who loses. Everything else is ignored,” a Libyan journalist said. “Now we have the tools to change that.”

From the Ground Up: homeless journalists tell their stories

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This is street-level journalism at its best.  These journalists make you feel the terror at being thrown out on the streets by a violent landlord or what the loss of social housing in London means.  They look at issues faced by people leaving the army. They write about the exciting Museum of Homelessness and they know the best squats in the capital and how these provide a sense of community to people who have none.

They are the 'From the Ground Up' citizen journalists. They all have experienced rough sleeping, so this gives them a unique insight into homelessness, the services and policies and their impact.  Homelessness has increased sharply over the past few years.  If society is to tackle the issue effectively, politicians, social service providers, charities and the general public should learn from them.

Ten citizen journalists have enrolled in ‘From the Ground Up’, a six-month programme run by the “people-powered” homeless charity Groundswell and the Pavement magazine.  Weekly workshops on news writing, communication, interviewing etc.  help them develop the confidence and tools they need to tell their stories and the issues that are important to them.

One of the key ways they raise awareness is by publishing their stories in the Pavement, a pocket-size magazine packed with news, stories, art, cartoons and useful information for homeless readers (as well as a website).  

And so, on a cold autumn morning, I met Jimmy, Mahesh, Julz and a few other citizen journalists at the Groundswell office near Vauxhall for a day-long workshop on feature writing.  We discussed how to use brain mapping to find story ideas and how you need both facts and emotions in order to turn them into engaging features.  We practiced how to construct a story, how to write a vivid introduction and how to show rather than tell, using the readers five senses.

At the end of the programme, the group will produce a special issue for the Pavement, planned for February/March. They have chosen to focus on changes in homelessness due to economic pressures and gaps in health care provision for homeless people.

Being homeless has always been very hard, obviously, but they say that things are getting much worse. Jimmy, who found himself on the streets as a young man some 30 years ago, believes he might not have made it today…

The number of people sleeping rough in England on any one night has doubled since 2010 and increased by 30% in the last year, with an estimated 3,569 people now sleeping on the streets across England, according to new government figures.  The number of families with children in temporary accommodations has also increased significantly.  And as we see more movement between countries, migration has also become an increasingly important part of the story.

From the Ground Up citizen journalists, get your stories out there! 

2016 World Press Freedom Index: Deep Decline in Media Freedom

This is great for censorship. Putin, Erdogan and other authoritarian leaders are celebrating.  We need to fight back the “deep and disturbing” decline in media freedom across every continent, at both the global and regional levels. 

The 2016 World Press Freedom Index, recently published by Reporters Without Borders (RSF), shows that every continent has seen its press freedom score decline. The Americas have plunged 20.5%, mostly as a result of the impact of physical attacks and murders targeting journalists in Mexico and Central America. Europe and the Balkans declined 6.5%, mostly because of the growing influence of extremist movements and ultraconservative governments.  The Central Asia/Eastern Europe region’s already bad score deteriorated by 5% as a result of the increasingly glacial environment for media freedom and free speech in countries with authoritarian regimes.

This matters enormously because if journalists are not free to report the facts, denounce abuses and alert the public, how would we resist the problem of children-soldiers, defend women’s rights, oppose injustice or preserve our environment? In some countries, torturers stop their atrocious deeds as soon as they are mentioned in the media. In others, corrupt politicians abandon their illegal habits when investigative journalists publish compromising details about their activities. Still elsewhere, massacres are prevented when the international media focuses its attention and cameras on events.

The reasons for the decline in freedom of information documented by RSF include the increasingly authoritarian tendencies of governments in countries such as Turkey and Egypt, tighter government control of state-owned media, even in some European countries such as Poland, and security situations that have become more and more fraught, in Libya and Burundi, for example, or that are completely disastrous, as in Yemen. 

The survival of independent news coverage is becoming increasingly precarious in both the state and privately-owned media because of the threat from ideologies, especially religious ideologies, that are hostile to media freedom, and from large-scale propaganda machines. Throughout the world, “oligarchs” are buying up media outlets and are exercising pressure that compounds the pressure already coming from governments. 

Published every year since 2002, the World Press Freedom Index ranks 180 countries according to the level of freedom available to journalists. It offers a snapshot of the media freedom situation based on an evaluation of pluralism, independence of the media, quality of legislative framework and safety of journalists in each country. It does not rank public policies even if governments obviously have a major impact on their country’s ranking. Nor is it an indicator of the quality of journalism in each country.

You can find more about the report here. 

2015 - another deadly year for journalists

The passing year has been another deadly one for journalists, with at least 109 journalists and media staff killed in targeted killings, bomb attacks and cross-fire incidents, according to the annual report by the International Federation of Journalists (IFJ).   Reporters Without Borders (RSF)’ annual round-up puts the figure at 110 – in addition to 27 citizen-journalists also killed in 2015.  In total, 787 journalists have been killed since 2005, according to RSF.

The very high number of journalists killed in 2015 (although there was a slight drop from 2014) reflects the increasingly deliberate use of violence against journalists. It is also indicative of the failure of initiatives designed to protect journalists and of the near absolute impunity for such crimes.

2015 was marked, in particular, by an increase in targeted terrorist attacks against journalists. French journalists paid a disproportionately high price when terrorists gunned down media workers at the French satirical magazine Charlie Hebdo in Paris. In the United States, the killing by a disgruntled ex-employee of two former colleagues at US TV WDBJ in Virginia took place in front of a global TV audience during a live transmission.

The IFJ 2015 list names the 109 journalists and media staff killed across 30 countries, together with 3 who died of accidental deaths.

This year, the killing of journalists in the Americas topped the toll, at 27 dead. For the second year in a row, the Middle East comes second, with 25 deaths. Asia Pacific comes third, with 21– a drop on last year due to the big fall in violence in Pakistan. Africa is in fourth place with 19 dead, followed by Europe with 16.

In response to the increasing violence against journalists, Jim Boumelha, IFJ President, is calling for UN Secretary General Ban Ki-moon and the heads of UN agencies to enforce international laws protecting journalists. “The attacks in Paris shocked the world and put on the world stage the tragedy of the drip-drip slaughter of journalists worldwide, which are today the only professional group that pays so dearly for just doing the job… Journalism is put daily to the sword in many regions of the world, where extremists, drug lords and reckless warring factions continue murdering journalists with impunity.”

The Federation is urging the UN to take concrete measures through its Action Plan for the Safety of Journalists and take a strong stand against impunity for crimes targeting journalists. The IFJ ran a three-week campaign this year to hold governments accountable for the lack of investigation of crimes against journalists, which leads to the erosion of freedom of expression across the world.