Another Day in Baghdad – Iraqi women tell their stories

Maysoon Pachachi and crew members

A couple of weeks ago, I went to a wonderful event at the Royal Court Theatre in London: a fundraiser for “Another Day in Baghdad”, a film, which tells the story of post-invasion Iraq from a women’s perspective and that of ordinary citizens. It is the first ever-Iraqi feature film authored by Iraqi women - and it unites cast and crew from the Middle East and Europe.

The fundraiser started with a short documentary about the recent test shoot (which you can view here), followed by a reading of part of the film’ script by 14 actors, including, to my delight, the mesmerizing Ben Whishaw and Lizzie Wells (Matilda The Musical).   

I was deeply moved by the script, but also the aim of the film and the way it is being developed – and since they still need to raise £19,600 in order to be able to film in Iraq and support Iraqi talent, I wanted to help spread the word.

 

“Another Day in Baghdad” is based on journal notes and the real life experiences of the two female authors - Irada Al Jabbouri, a Baghdad-based novelist, and Maysoon Pachachi, a London-based filmmaker of Iraqi origin.  The film tells the intersecting stories of ordinary citizens, unfolding in the last week of 2006 in Baghdad. All the characters are Iraqi and many are strong female ones.  

“The time of extreme sectarian violence in which our story takes place foreshadows what is happening in Iraq and the Middle East at the moment,” says Pachachi. “We feel that in the context of the extreme militarized male violence we are seeing in the Middle East, it is crucial to have stories told from a female perspective.

 “These stories are absent in the media and absent from the conscience of the world. Iraq has been presented for decades as a source of evil and cruelty and a threat to its neighbours and the world,” Pachachi adds.  “We feel that it’s especially important now for stories of individual resistance and hope to be told about the area, where so many still maintain solidarity with one another as human beings, in spite of the intensely divisive pressures of religion and politics, with which they are living.”

Co-written by Pachachi and Al Jabbouri, the script won the IWC Schaffhausen Script Award – presented by Cate Blanchett in 2012.

Pachachi and Al Jabbouri have secured the funding needed for filming in Jordan, as well as for the post-production of the film in Europe, but are now raising funds to shoot in Baghdad - where the light and the river are irreplaceable - and hire Iraqi cast and crew.  Part of the film will also be shot in Jordan with Iraqi refugee actors.  

“For Iraqis inside and outside Iraq, opportunities to shape their own narratives – far from Hollywood-style fiction and newscasts – are limited. Through this film, we aim to generate an authentic and meaningful opportunity for Iraqi actors and filmmakers." Pachachi says.

In 2004, she co-founded a free film-training centre in Baghdad and has taught film directing and editing in Britain and Palestine. 

If you want to support this project, you can contribute here.

RIP Kevin Headley, who died too young - like too many homeless people

Kevin Headley graduating from the FDGU journalism training programme at Groundswell/photo: Veronique Mistiaen

This is what I find most poignant:  Kevin, wearing his ubiquitous black hat,

looks straight at the camera. In his deep, quiet voice, he says: “Life expectancy for rough sleepers is probably between 42 and 47.”

Kevin was interviewed for a video during an awareness day at the homeless charity Groundswell.  People who have experienced homelessness, NGOs and members of the public had been invited to discuss how to improve public perception of homelessness and create engagement. As always, Kevin came armed with lots of statistics and strong arguments.

A few weeks later, he was dead. 

Kevin Headley, who sold the Big Issue outside Hackney Wick station in London for many years, died in hospital on May 5 after suffering a suspected heart attack. He was only 52. 

Homeless people die on average 30 years younger than the national average, according to a study by the homeless charity Crisis. These statistics are a terrible indictment of the way our society treats homeless people - and something that Kevin campaigned and worked hard to change.

I’ve met Kevin at Groundswell in September when I began training a dozen of people who were homeless or had experienced homelessness on how to be journalists.  The six-month project, called From The Ground Up (FDGU), is a collaboration between Groundswell and the Pavement, a pocket size magazine (and website) full of useful articles and resources for homeless people. The FDGU project is funded by Comic Relief.

FDGU’s aim is to equip “peer journalists” as Groundswell calls them with the tools they need to identify and report on issues important to them – issues often overlooked by the mainstream media.

The peer journalists had decided to report on shame experienced by homeless people and the impact it has on their health, well-being and ability to improve their situation. Kevin didn’t like that theme because he strongly felt that homeless people have nothing to be ashamed of and that it is society, which should be ashamed. And of course, he was right. The peer journalists also  wanted to talk about suicide, which is much higher among homeless people than among the general population. They’ve produced amazing work, which has been published in the Pavement in Jan/Feb 2018 and Marc/April 2018 and they keep contributing to the magazine.

During our workshops, Kevin would often sit on the side, hiding behind dark glasses. At first, I thought he might be dozing off, something not unusual as some peer journalists spend their nights on the streets or in noisy hostels and night shetlers. But there was always a mischievous smile on his lips and then, when feeling inspired, he would make a contribution – not always on topic, but always full of facts and interesting ideas. He had just been given his own page in the Pavement – the problem page, “done with a light and practical touch”, as Nicola Baird, the Pavement's editor described it.

He drew beautifully and loved working with artists and curating local art events and festivals.  He also worked as “health peer advocate" with Groundswell, helping people who are homeless access appropriate healthcare.

Kevin had so much to live for. He was dearly loved by so many and was full of projects and ideas. Let’s never think of Kevin as just another dreadful statistic. Homeless people shouldn’t have to die young. Homelessness is not inevitable.